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A Fine Soiree Forsooth Thanksgiving Night PDF Print E-mail
Written by Terry Smith   

My siblings and I are having separate Thanksgiving meals this year. Here I invite them to join us for dessert.

Please find some time after Holiday Bird;
At six come hither, mix betwixt the herd.
There will be wine, and sweet dessert, it's true.
Yet I shall pine and long for all of you.

 
Ask Not What You Can Do With the Song PDF Print E-mail
Written by Terry Smith   

... but what the song can do for you.

By now the exhortation to make a song your own has become a modern day ringing platitude. After years of American Idol judges praising those singers, and rightly so, who add their own styling and innovations to a song, we should not lose sight of what a song, or piece of music, can do for us.

I was playing a Chopin waltz recently at the Holiday Inn, and I thought of applying the dictum of making the song my own. So I thought of some events that happened in my life, and I thought of action in nature such as leaves dancing in the wind, and I would try to express parts of these ideas in the music by changing the pace, volume, or emphasis on phrases here and there. And this was interesting for a while, but soon this effort just seemed lame. Making a little change here or there just to make it my own didn’t seem very fulfilling.

Then it occurred to me to put myself into the role of Chopin himself and try to think of what he must have been thinking when he wrote it. Now as I went from one phrase to the next I felt as though I knew Chopin would have played this part more calmly, that he would have played another part with a little more thunder – not for some ostentatious display of power like a rock star may exploit, but because it followed naturally from meager beginnings to a more glorious ending. Even if it were Chopin who was thinking of leaves dancing in the wind, I can now think of my playing as a shared experience, I'm less alone at the keyboard, and I'm in good company.

Having lived after the time of Shakespeare, I was sure Chopin must have implemented the same iambic rhythms in his music, the alternating of stressed and unstressed notes. So as I applied these thoughts to the keyboard, I felt the music was making me a better person. I was discovering, I wasn’t adding anything to it, Chopin and Shakespeare and the spirit that moved them were showing me what made sense. I felt I didn't add anything; however, it's somewhat paradoxical in that it's "me" imagining what it is they're showing me.

As I look back on it now, it seems I’ve only broken the surface. The few discoveries I might have made seem so elementary when I think of career musicians who have mastered technique and interpretation. Yet, I’m thankful that Chopin wrote waltzes within my reach, I’m happy Beethoven wrote Fur Elise and the Moonlight Sonata, that Debussy composed Clair de Lune. Pieces such as these lift a neophyte like me to places I could never reach on my own.

 
Deaths Perception: Why do people like horror movies? PDF Print E-mail
Written by Terry Smith   

(Note: Many of the notices on the Audition and Showtime calendars are reposted from the Neohiopal newsletter.)

Before getting into the Notes section, see the link to the Vimeo film below, done by Virginia Marti College of Design (Lakewood, OH) students where I play Dr. Taylor. This project was our team's entry in this year's Cleveland's 48 Hour Film Project competition (July, 2011). Each team is given a genre and a few other requirements and given 48 hours to make a complete movie. We didn't really want 'Horror', but we ran with it and made it more of a dark comedy.

http://vimeo.com/27319684

After seeing the film, here are some comments from my tennis buddies. The names have been changed to protect the living:

You are scaring me. I must say you are either a good actor or one sick dude.
No bad line calls when we play....Jerry

Now I know where you got that wrist snap forehand from....Lars - from a hopefully safe distance in Sweden

Terry, you found your niche. I hope they don't type-cast you. I know you have soooooo much more in you. Good job. WTF here I thought you were normal....Frank

Terry….I think your tennis game just got a whole lot better…By the way, I will be out of town for the next 200 years…Hope we can get together and play some tennis when I get back…Are you in for PSYCHO parts 4,5,6 and 7? ....Ron

Great movie. Freddy Krueger might learn a few tricks from you. ....Dave

I need your autograph ....John You are awesome, Terry! ....Rick

Outstanding!! I think you're ready for my next movie. ....Dickie


Notes on Horror:

- What's the difference between deaths in a horror film and deaths in Shakespeare? Those in Shakespeare, at least those of the heroes, are deaths of persons of high estate - kings, emperors, etc., showing that even the highest achieving individuals are powerless and that Fate is omnipotent. But at least with these heroes and heroines, the reader sees that, although this hero dies under various circumstances, there is the possibility of achievement and glory if some things were changed slightly. Victims in horror films just portray powerlessness. So Shakespeare can be inspiring, seeing possibilities, while horror just breeds fear.

- Can horror be funny if you add absurdity, campiness? That's what we're hoping for with regard to 'Student Body Count'. I thought some scenes might be too much, but when you quickly add something funny, it reduces the creepiness. We all certainly had a lot of laughs during production, which I can't totally explain.

- The antics of Cleveland Friday night TV host Ghoulardi (Ernie Anderson) were funny in themselves but might have made us laugh more because of the context. As a pre-teen watching those scary movies with brothers and friends his shenanigans were comic relief in relation to the movies; knowing that he would have some wisecrack during the next commercial break would help us get over our fright.

- On the other hand, is laughing at death worse. "It's always something cruel that laughter drowns," (Roy Orbison). If we treat death as a joke, are we more inclined to think that "life is but a joke"? (Bob Dylan, All Along the Watchtower, speaking of other people)

- Shakespeare's Titus Andronicus is the most gory of his plays. Some think he didn't write it, but agree that he at least approved of it being performed. Was it simply because horror has always been a money-maker and his theater profited from it?

- Do people like horror because it make them feel that, although their life may be bad, at least it's not as bad as that victim's. Gives them a little more sense of power, that they have more control over their lives than the victims in movies. Again, not an inspiring message, but may explain the draw of horror shows.

- Do the perpetrators seem powerful to us? We envy their confidence in being so bold and exerting their will to the extreme? Unless they're insane, the criminal really is so afraid of using his mind, so afraid it won't work well, that he uses physical courage and the rush that physical risk provides to compensate. The inventor is not afraid to use his mind, he gives to the world; the criminal acts with an internal locus of control similar to the inventor, doing what he wants, not what everyone else is doing, not what others tell him to do, the difference being that the criminal takes by force, and gives nothing positive to the world.

- There may be degrees of horror and levels of value attributed. If Hitchcock was considered to be better than recent slasher films, it was due to his psychological element. Humans like to learn and if young, intelligent, or successful, people do bad things, we want to know more about them. When more pathetic people commit crime, we don't have as much interest, we don't think we can learn from their actions. We're not like them so we can't see ourselves committing such crimes, but when we see someone closer to our kind, we wonder if we could do what they did, we wonder if someone we know could do such things, and how can we stop it from happening.

- Film can be fun in that editing provides a means by which the filmmaker can be a magician. He can edit the film such that we only see part of the action and our imagination sees the rest. Is this why filmmakers like horror? They enjoy the cleverness it takes to cut a shot so you don't see everything (as you would, say, if it were on stage) which allows the imagination to kick in. For example, with film you can show a hand coming down with a knife, but not the actual stabbing, then show the bloody result, and your mind fills in the blanks.

- Regardless of their negative long-term effects on some viewers, perhaps people like horror shows because they long to feel something, anything, to watch a film that's not boring. The viewer knows he's safe in his comfortable chair, the movie will come to an end, and he will get up and walk out of the theater. But he can be fairly confident that he will be taken in, into an altered state of consciousness if the horror movie delivers on its promise to frighten. By experiencing the emotion due to fear, the viewer feels something, so he feels more alive. After the movie, this viewer feels more satisfied with his life as it is because it's better than life depicted in the movie.
Conversely, the same viewer may dislike movies that depict positive heroic figures because the lives of people in these movies seem better than his own. This lazy viewer now feels inferior when leaving the theater. A more courageous viewer will see an inspirational movie and want to move into action in a similar way, he will wan to do something difficult, something morally right, something productive or creative.

 
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